The Romanian director combines three hours of sketches, cabaret, comedy, parody, satire, invective, AI morphing imagery for his riff on the dracula myth – the film is so ironically aloof, it’s hard to ...

From Stalker to Hard to Be a God: as a wild Czech New Wave sci-fi farce surfaces on Blu-ray, we survey the unhinged dystopias and mind-bending metaphysics of the best science fiction films from ...

Writer-director Anthony Schatteman’s film about a blossoming romance between two Belgian teenage boys has few surprises, but there’s something to admire in its relentless positivity.

Director Mike Flanagan has proved himself to be King’s most sympathetic interpreter on film with The Life of Chuck, the story of a man’s life in three acts, told backwards.

Mike Flanagan’s latest Stephen King adaptation eschews horror for a life-affirming take on the end of the world. Stars Tom Hiddleston and Chiwetel Ejiofor spoke to us about their favourite King ...

Ten titles showcasing bold, inventive and distinctive filmmaking compete for Best Film at the 2025 BFI London Film Festival Awards.

The British director returns to the lo-fi stylings of his early work with a multiverse sci-fi starring four characters in search of a narrative form.

A young couple move to the countryside and are overcome by a magnet-like attraction that threatens to fuse their bodies together permanently in Michael Shanks’s gruesome yarn.

Writer-director Hikari returns to the BFI London Film Festival with her second feature as American Express Gala, hosted at the Southbank Centre’s Royal Festival Hall with screenings around the UK.

News has changed, and so has how it is gathered and disseminated. In an era of pervasive surveillance, authoritarian power and weaponised social media, these 10 films reflect today’s world back at us.

Using a DV camera and successive iPhones, Mapplebeck threads together 20 years of her and her son’s lives with humour, warmth and honesty.

Packed with notes, sketches and Polaroids, this shooting script for Sally Potter’s film of Virginia Woolf’s Orlando illustrates the complexity of one of cinema’s undersung roles: the script supervisor ...